Q&A with Maxwel Hohn

Peter Rowlands · Issue 123, Nov/Dec 2021 · pp. 48–49

Personalityunderwater cinematographyRED camerasTadpole documentarycommercial divingfreedivingPADI instructorinterview

Products mentioned: RED cinema cameras

WORKSH OP BY WOJCIECH DOPIERALA (@WOJ.DOP) I WORKFL OW I PHOTO ANAL Y S I S I HI S TOGRAM I EXPOS URE CORRECTI ON I WHI TE BAL ANC E I C OL OR BAL ANC E H / S / L I SATURATION & V I BRANC E I S HARPENI NG & NOI S E REDUCTION I L OC AL C ORREC TI ONS I WORK EFFI C I ENC Y I ADOBE LIGHTROOM FAST AND EFFICIENT DEVELOPMENT OF UNDERWATER PHOTOS when most freedivers from Warsaw join forces to train together and have fun in the water. The rule of thumb says that the difficulty of the photo shoot rises proportionally to the number of the models. So it does, and even more underwater. But the same happens with fun I have to say. It was great experience to be in the water with so many freedivers sharing the ideas and creating photos impossible to achieve in other conditions. For example for “human pyramid” the water has to be absolutely still and even then we needed a couple of tries to make it wor…

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